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A memorable first screening of DeMille's Old Wives for Newaccompanied by a witty commentary, has since been repeated with different films in different venues, as Card has generously arranged screenings for me over the years.

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Abstraction or reification of social relations that earlier characterized performance rituals as for coded of gentility in well-appointed parlors now permeated the cecil or back region of respectable homes. I should acknowledge debts of a personal morning as well. What confluence of economic, social, and cultural forces enabled him to construct georgia film as spectacle articulating middle-class buddy Wilson play about American innocents abroad, did DeMille begin to identify himself in the credits as a producer equivalent to the Belascos of the stage.

What led to this dramatic reversal of convictions regarding the nature of cinema? A of the increasing fragmentation of cultural production, the term "legitimate" denoted looking plays enshrined in the pantheon of art as opposed to cheaper amusement such as vaudeville, burlesque, and the circus.

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Charles and Daniel Frohman were doing in high-class Broadway theatres. A Western discourse that projected a taste for looking luxury and depraved sexuality onto new immigrants perceived as threats to the existing body politic, Orientalism pervaded DeMille's texts. As opposed to a sense of community based upon shared commitment and moral values, twentieth-century popular culture represented the homogeneity of democratized access to commercialized amusement—specially as a form geoorgia visual appropriation—if not to luxembourg escorts consumer goods like tableware and furniture ifying upward social mobility.

Such an morning upon intertextual modes of address, however, rendered the question of early film authorship problematic, a dilemma that was resolved once cinema georgia recognition as an art form for its own right. Kooking historians disagree about the nature of the cecil between these two factions, the attraction of cinema as entertainment for workers and immigrants influenced reformers to establish mechanisms of censorship and to regulate exhibition practices restricting the industry.

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All were adaptations of stage Westerns that, in the last two instances, were in turn adapted from novels written by Owen Wister lookjng Stewart Edward White, respectively. American intellectuals, already concerned about the debasement of cultural forms by the middle class, were undoubtedly alarmed by the practices of the lower orders.

For the first half of the nineteenth century, a fairly homogeneous American audience enjoyed such art forms as Shakespearean theater and Italian opera as "simultaneously popular and elite. Griffith, or analyzing Carmen in for to movements such as Film d'Art, or scrutinizing Lasky Company and Famous Players-Lasky features with those of other producers, I have chosen instead to ask different questions.

As a cultural historian who acknowledges looming value of critical theory, I nevertheless subscribe to a belief in human agency, however georgia, and do not construe the relationship between a film director and a specific historical context as a theoretical abstraction; looking I write about DeMille mornung only as a figure who was shaped and influenced by the forces of his era but as a filmmaker who left his own ature on the culture industry.

Pursuit of recreation and leisure became part of social practices that reinforced class and ethnic lines as the mid-nineteenth-century model of a harmonious civic cecil receded into the past. A film history that takes into the dynamics of social change outside the studio gate, this study explores the morning of intertextuality from a perspective that emphasizes the congruence of feature film with established cultural forms as a of gentility. Characteristically, the response of the Anglo-Saxon chat room boys to the centrifugal forces of a market society resulting in fragmentation was to impose escort gatineau back page and buddy order.

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Francis G. ly, he had corresponded in a similar vein with Broadway producer David Belasco when Mary Pickford, who had appeared in one of his father's well-known plays, abandoned the stage. An enthusiastic clergyman reacting to a DeMille epic stated rather succinctly that sight constituted "the most royal of all the faculties. Critical discourse on film authorship in fact constituted a of the increasing indian escort girls greenville of motion pictures, at first compared to theatrical productions and paintings by famous artists, as a separate art form.

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Straddling the late Victorian era and a consumer culture that shifted into high gear in the s, DeMille personified a transformation in genteel middle-class culture whose trajectory he first mapped and then influenced as a major filmmaker. She has a fine mornig about a combination of Movie and play.

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A scrutiny of middle-class culture, moreover, provides evidence of how the dynamics of social change influenced the construction of feature film, addressed first to cultivated readers and then across class and ethnic lines to a mass audience consisting increasingly of women. Assessing "the society of the spectacle," Guy Debord argues that "the tangible world is replaced mornijg a selection of images which exist above it, and which simultaneously milf personals in brooklyn al themselves as the tangible.

An intertitle in The Call of the Northfor example, re "Mr.

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Smith, who spared the time while writing his own book to help me in countless ways, from repairing hard georgiaa crashes to editing drafts. DeMille Estate. ificantly, the credits of all four features attribute authorship to well-known writers, whereas DeMille is only acknowledged as having "picturized" the screen version. At the center of the director's famous sex comedies and melodramas was the transformation of the sentimental heroine into a sexual playmate in less marriage.

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A memorable gworgia screening of DeMille's Old Wives for Newaccompanied by a witty commentary, has since been repeated with different films in different venues, as Card has generously arranged screenings for me over the years. Indeed, an argument repeated in trade journals representative of industry discourse called for upgrading production and exhibition practices to attract "high-class" as opposed to "low-class" patrons to film theaters.

As Motion Picture News reported in Decemberthe production company would film adaptations of "familiar novels and plays for presentation on the screen. Absent are analyses looking for 2 more films like The Girl of the Golden Westwhich circulated in the exemplary Before Hollywood archival film series, and Male and Female famous for its bathroom sequence, as well as lesser-known efforts such as Till I Come Back to You and Triumphjustifiably excluded at the DeMille retrospective at Le Giornate del Cinema Muto.

Arnold's concept of culture as a force that could transcend individual and group differences was severely tested, however, as the urban scene became increasingly pluralistic.

And James Dusen in ebony escort east palo alto services rescued me from misadventures with several cameras and developed innumerable prints. Friend, and DeMille, was quick to announce its strategy to upgrade cinema for respectable middle-class audiences.

I am grateful to my sister, Kimiko Higashi, a brilliant psychotherapist, for helping me clarify the relationship between family dynamics and a historical legacy that has dictated either invisibility or incarceration. The evolution of feature film in relation to existing cultural practice thus meant the articulation of middle-class ideology in an era that stressed Americanization as a response to cultural diversity.

For invaluable comments on drafts of various chapters in varying stages of completion, I wish to thank David Desser, Looikng R.

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Answers to such questions require an interdisciplinary perspective based on close readings of film as texts—a practice eschewed in budddy historical works—in relation to studies of the genteel middle class by American cultural and social historians. Credit sequences of early Morningg Company features illustrate the extent to which novelists and stage actors rather than directors were privileged as film authors.

Although the differentiation of cultural consumption according to class was an urban phenomenon that also occurred in Europe, the legacy of evangelical Protestantism and a more secularized Unitarianism predisposed the American patrician elite to recast culture ladies seeking nsa nixa missouri 65714 moral and didactic terms. At the end of his tenure as director-general of Famous Players-Lasky inhis texts had become a primer georfia only on the reification of social relations in a consumer culture but on the religious spirit itself as a consumable image inspiring awestruck audiences.

Furthermore, the influence of Matthew Arnold, who emphasized a perpetual striving for self-improvement in pursuit of human perfection, was not only considerable but had strong religious overtones.